Sarah Pidgeon For Met Gala 2026 Wearing Custom Chartreuse Loewe Two-Piece By Jack McCollough And Lazaro Hernandez
Sarah Pidgeon wore a custom chartreuse Loewe two-piece designed by Jack McCollough and Lazaro Hernandez for the 2026 Met Gala, photographed by Kevin Tachman for Vogue UK, and the sculptural twisted bow construction became the defining architectural detail of the entire look. The bold chartreuse satin, exposed midriff, and elongated column silhouette created a fashion image built almost entirely around precision and proportion.
Sarah Pidgeon was photographed ahead of the 2026 Met Gala on May 4 wearing a custom Loewe design created by Jack McCollough and Lazaro Hernandez in a vivid chartreuse satin finish. The look centered on a strapless bandeau-style top constructed from matte satin twisted tightly at the center into a sculptural bow formation that functioned as both structure and ornament simultaneously.
The bow detail was not simply decorative. The satin fabric folded and wrapped through itself to form the bodice shape, creating tension and dimension across the chest before releasing downward into long trailing panels that extended beyond the hips and pooled softly toward the floor. Those elongated sash-like extensions introduced movement and drama while avoiding the heaviness of a traditional cape or train.
The exposed midriff became a critical part of the silhouette. Between the bandeau top and the skirt, a narrow band of bare skin interrupted the saturated chartreuse and visually stretched the proportions of the look. The clean horizontal satin edges above and below the gap sharpened the construction and made the straight column skirt appear even longer and more controlled.
The high-waisted skirt continued the same chartreuse satin in a clean uninterrupted line to the floor. Its sleek column cut contrasted against the sculptural twisting and draping of the top, allowing the silhouette to remain balanced rather than overly theatrical.
The precision of the construction became the true focal point of the design. The satin held the curves and folds of the twisted bow without visible pulling or puckering, highlighting the craftsmanship behind the draping and tailoring. The structure remained crisp while still allowing the fabric to move fluidly through the trailing sash details.
Photographed by Kevin Tachman for Vogue UK, the look captured a modern sculptural interpretation of red carpet dressing that relied on proportion, negative space, and construction rather than embellishment or heavy decoration.